Dubai lines up first Asian titles
Assassin, Cemetery of Splendour, Trap
Dubai Talent: Afia Nathaniel
Debut director on Dukhtar and cinema in Pakistan
Dubai Talent: Asha Bhosle
Indian playback singer on seven decades of film music
Dubai opens with Theory of Everything
Festival makes regional cinema its key focus
Dubai IFF cancels AsiaAfrica competition
Festival enters second decade without key focus
Dubai festival fixes 2014 dates
Surveys demonstrate overwhelming attendee satisfaction
Thuy and South Korea's relationship to SE Asia
Dubai: Kim Jae-han and Ninh Dương Lan Ngọc
Shivani Pandya on Dubai's next ten years
Managing director reflects on DIFF's first decade
Lee Sang-il on the limits of Japanese cinema
Unforgiven director on Japan's new conservatism
Ilo Ilo wins Best Film in Dubai
Golden Horse winners repeat success in UAE
Ritesh Batra on preparing his Lunchbox
The role of shorts, project markets and place
Tsai Ming-liang on being a stray in Taiwan
He only wants money, freedom and Lee Kang-sheng
Japanese documentaries after Fukushima
Cool Japan, state secrets and misplaced festivals
Farooki on fibbing, fantasy and box office
Bangladeshi film-maker presents Ant Story in Dubai
Ant Story premieres in AsiaAfrica competition
Ilo Ilo, Stray Dogs, Lunchbox compete in Dubai
Dubai announces first Asian titles
Commercial films from China, Philippines, Japan
Dubai to host Cinematic Innovation Summit
Annual event to focus on technical innovation in media
Staying independent in the Philippines
Dubai Talent: Mendoza on indie film-making and his upcoming genre film
The future of Japanese cinema
Dubai Talent: Japanese producers on Miike, Sono and the next generation
Miike on process, violence and Tarantino
Japanese director gives Lessons of the Evil in Dubai
Dubai foregrounds Asian directors
Films from Lee, Blair and Feng take key slots
South Asian indies to compete in Dubai
Films from Bangladesh, Sri Lanka and India join AsiaAfrica competition
Dubai announces first AsiaAfrica titles
Documentary on North Korean cinema to compete
Dubai fest plans innovation summit
Conference focus on story, tech transfer
Eurimages envisages Mid East expansion
Dubai meeting to encourage finance body
Tatsumi and Woodsman share AsiaAfrica prizes
Japanese documentaries also recognised in Dubai
The business of Japanese documentaries
Dubai talent focus: Ide Yoko and Sunada Mami
Dubai makes speedy Connection
"Structure, scrutiny, not cash, key to industry growth"
Women on top at DFC awards
Dubai project market provides cash and kudos
The battle after Seediq Bale
Dubai talent focus: Wei Te-sheng Q&A
Rahman celebrated in Dubai
Lifetime achievement award for world cinema composer
Dubai opens under Cruise control
Strong lineup of Indian cinema and Bollywood stars
Seven up for Dubai sidebar
AsiaAfrica section includes Oscar hopefuls
Dubai dishes out distribution dollars
By Patrick Frater
Tue, 13 December 2011, 14:46 PM (HKT)
The film market at the Dubai International Film Festival is to begin supporting theatrical distribution of Middle Eastern films.
The new incentive scheme is intended to add relevance and strength to the event without significantly distorting the marketplace.
The market itself has grown substantially this year with some 450-500 industry participants in attendance and a total of 231 films (features, shorts and documentaries) screening in its Cinematheque, or electronic video room.
The total represents substantially all of the 171 films showing in the DIFF, with the addition of other recommended films selected by the festival programmers. With many executives finding that it is easier to access than theatres in the remote Mall of the Emirates the Cinematheque has been regularly booked out and had recorded some 744 viewings as of Monday.
The new distribution cash, totalling $60,000, is available as a print and advertising subsidy to distributors which buy and commit to releasing films from the DIFF's four Muhr (competitive) sections for Arab films and documentaries.
In total eight grants are available: two each of $10,000 for Middle Eastern distributors and two each of $10,000 for foreign distributors releasing feature films, and a similar four grants of $5,000 each in the documentary category.
"These are first-come, first-served grants, which can be disbursed very quickly," said Pascal Diot, a producer and former sales agent who now heads the market. He says that conditions are not too onerous. The films must be released in two cities for the ex-regional grants and two Middle Eastern countries for the regional grants. And films must be released within a year of the festival.
Diot says that the Film Market is also actively setting up meetings between Arabic film-makers and industry executives, who are potential investors or rights buyers. It operates as a two-step process; film-makers first meet Film Market consultants who then arrange appropriate contacts and meetings. "It has to be this way because a lot of film-makers are ignorant of the process and, for example, may not know how a sales agent operates."
Across the range of its activities – the DFC Connection or co-production market, the Enjaaz work-in-progress screenings and the Film Market – Dubai is really trying to support the industry side of film-making, argues Diot. "This is fourth year of the market and the first time that many people come here of their own initiative, and not just people from within the region," he said.
On Monday Enjaaz also announced post-production finance for a further 20 projects.