Vignettish "road movie" about two Filipino workers on their day off in Taipei is slim but likable.
Doraemon sets box office record in Hong Kong
Top Japanese-language film of all-time
Hanoi IFF opens third edition
Regional project market among new initiatives
Edmund Yeo on the evolution of Malaysian cinema
Tokyo IFF Talent: River of Exploding Durians
Little England wins big in Shanghai
Surprise jury award for China's Uncle Victory
SIFF accused of holding fake press conference
Questions about status of Uncle Victory ignored
Shanghai announces bulk of competition
World premieres from China, Japan, Thailand
Beauty, Missing and Norte awarded at Cinemanila
Philippines' festival extends
Cinemanila runs from Terror to Norte
Kim Byung-woo receives mini-tribute in Philippines
Ang Lee awarded by Cinemanila
Lifetime Achievement Award in Manila
On Happiness Road takes FPP Grand Prize
Surviving Hai wins other cash award at Golden Horse project market
Manila to host World Premiere Film Festival
Event in partnership with Shanghai IFF
Taiwan project market explores human psyche
South Korean and Southeast Asian films in lineup
Philippines explores co-production future
Int'l Film Expo opens with co-production seminar
Wau to award Lai Meng and Han Ying
Veteran actresses to be honoured at Malaysia Awards
Golden Wau nominations favour Aniu, Chiu, Teh
Awards to recognise Malaysian Chinese films
NAFF finalises Filipino focus
Seven from Philippines completes project selection
Filipino festivals show funding flair
Indie cinema in The Philippines is flourishing thanks to festivals' financing of micro-budget films
Int'l Film Expo relocates to Manila
Major expansion in second year for Southeast Asian film market
Offender pleases Cinemanila
South Korean drama wins grand prize, best actor
Luang Prabang opens SE Asian shop window
Laos festival highlights region's diversity
Asian trio to judge Locarno
Swiss festival looks East
Hua Hin Festival unveils Asia-centric lineup
New showcase kicks off next week
Gangor rewarded at Cinemanila
Festival finds new home in Taguig City
Cinemanila relocates to Taguig City
Argento and Aunor receive Lifetime Achievement Awards
Housemaid director has Taste for Money
New project in same groove as erotic thriller
HAF project list unveiled
28 in the running at finance market
HHH calculates 10+10=100
Taiwan anniversary omnibus to feature 20 directors
Horse out of the gate with Pinoy Sunday
Absurdist road movie to open Taiwan's first genre film festival
Manila festival survives funding crisis
By Stephen Cremin
Mon, 06 December 2010, 16:25 PM (HKT)
The 12th Cinemanila International Film Festival concluded Sunday 5 Nov with the local premiere of John SAYLES' Amigo (2010). The event opened on Wednesday 1 Nov with another foreign film featuring Filipino actors, Taipei-shot Pinoy Sunday 台北星期天 (2009).
International guests at the five-day event included South Korean director IM Sang-soo 임상수 | 林常樹, Indonesian cinematographer Yadi SUGANDI, Thailand-based actor Ananda EVERINGHAM อนันดา เอเวอร์ริ่งแฮม, Taipei-based director HO Wi Ding 何蔚庭 and Tokyo-based filmmaker Edmund YEO 楊毅恆.
The festival's stated goals are to nurture young Filipino directors, unearth new talent in Southeast Asia and help create a revitalised local film industry so that it can become a major creative player in the region. Local stars who supported the festival this year included actress Iza CALZADO (pictured with Ananda Everingham).
Like the concurrent Jakarta International Film Festival, the Philippines' festival was in dire financial straits and until mid-November had yet to secure a venue. The festival was able to continue with the last-minute financial support of the Film Development Council of the Philippines (FDCP) under new chairman Briccio G. Santos, appointed in September.
At the opening ceremony, the festival's founding director, Amable "Tikoy" AGUILUZ, stated that "Cinemanila is like Philippine cinema, always in crisis mode, always in trouble, but somehow, someway, always pulling through". The festival had previously been in danger of cancellation at its second edition in 2000.
Festival organisers said they were particularly hit this year by high screening fees from European sales agents, who are increasingly representing Southeast Asian titles. Other sales agents withheld titles until the festival could find a local distributor in one of the most difficult markets in Asia for foreign-language cinema.
Festival director Anima AGUILUZ SLANGEN estimates that more than half of this year's budget was spent on screening fees that have grown ten-fold since the event launched in 1999. Co-director "Tikoy" Aguiluz described the practise to Film Business Asia as "abusive", "colonialist" and a form of "cultural imperialism" that is devastating festivals in the region.
Tikoy Aguiluz suggested that sales agents should in fact be paying the festival to show their films to reflect their role as an ambassador for foreign-language cinema in the Philippines. The festival previously helped secure distribution for The Ring リング (1998) and City of God among other contemporary classics.
The hottest tickets at this year's festival were for the single local screening of Scott Pilgrim vs the World — whose local release has been cancelled — and Monster JIMENEZ' documentary Kano: An American and His Harem about the unusual family arrangements of Vietnam War veteran Victor Pearson.