Tokyo Project Gathering Hosts Host Sequel


Tokyo Project Gathering Hosts Host Sequel

By Stephen Cremin

Tue, 24 August 2010, 20:08 PM (HKT)


Market News

This year's Tokyo Project Gathering (25-28 October) co-production market highlights 28 films in a wide variety of genres.

There is a particularly strong lineup of projects from Japan and South Korea. Former includes TSUCHIYA Yutaka 土屋豊's New Hello NEW HELLO, HIROKI Ryuichi 廣木隆一's Seagull Day かもめの日 and the latest from ISHII Yuya 石井裕也. Latter includes JANG Jin 장진 | 張鎭's Asian Beauty, NOH Dong-seok 노동석's Haunted Obsession and the much anticipated sequel to blockbuster The Host 괴물 (2006).

Southeast Asia is represented by seven projects including new films from Thailand's Pen-ek RATANARUANG เป็นเอก รัตนเรือง and Ekachai UEKRONGTHAM เอกชัย เอื้อครองธรรม who are joined by fellow film festival regulars WOO Ming Jin 胡明進 (from Malaysia), Nia DINATA (from Indonesia) and Minh NGUYEN-VO (from Vietnam).

Chinese-language cinema is relatively under-represented with two from Taiwan, including Gavin LIN 林孝謙's latest animal-themed drama, The Dog Wanted, and one each from China and Hong Kong, Xiao JIANG 小江's Kingdom of Desire 愛慾之城 and Jessey TSANG 曾翠珊's Big Blue Lake 大藍湖 (2011) respectively.

The projects are in a wide variety of genres, an aspect that has always distinguished the Tokyo project market from regional competitors. This year, Max MANNIX's prison break drama Yellow Earth joins Singaporean noir Camera 眼機, Vietnamese action fantasy Once Upon a Time in Vietnam Lửa Phật and Norman England's Zombie My Zombie.

Now in its sixth year, the Tokyo Project Gathering accepts projects at any stage of production. Films presented at previous editions of TPG that have been completed include CHUNG Mong-hong 鍾孟宏's The Fourth Portrait 第4張畫 (2010), YOO Ha 유하 | 庾河's A Frozen Flower 쌍화점 (2008) and SONO Sion 園子温's Love Exposure 愛のむきだし (2008).

 
2010 TOKYO PROJECT GATHERING LINEUP


Related Reviews

  1. Big Blue Lake | 大藍湖
    Plot-light but involving study of a woman returning to her home village outside Hong Kong.
  2. The Fourth Portrait | 第4張畫
    Often atmospheric study of a boy's lonely emotional life is diluted by a lack of dramatic focus.
  3. Headshot | ฝนตกขึ้นฟ้า
    A part return to form by director Pen-ek Ratanaruang in an existential crime noir.

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